IGNCA celebrates contributions of Padma Shri Daya Prakash Sinha
Renowned as a playwright, director and cultural administrator, Padma Shri Daya Prakash Sinha has played a pivotal role in the resurgence of Hindi theatre, particularly through his impact on the ‘Rang Andolan’ (Theatre Movement) post-1950. His dedication and unique approach have brought new vitality to Indian theatre, influencing generations of artists and audiences alike. The 18th edition of IGNCA’s ‘Sanskriti Samvad Series,’ held in New Delhi, was dedicated to honouring Sinha’s extraordinary journey and celebrating his legacy.
The day-long event at IGNCA was filled with insightful discussions and reflections on Daya Prakash Sinha’s seven-decade career in theatre. In his address, Sinha shared his passion for theatre, describing it as an art that transcends the ordinary and stirs deep intellectual and emotional engagement. Reflecting on his journey, he commented, “Perhaps I was born for theatre.”
According to Sinha, theatre holds a unique, irreplaceable position in the modern world, offering a live, interactive experience that no other medium can replicate. “No matter how advanced technology becomes, theatre will always remain alive,” he asserted, highlighting its capacity to foster real-time connections between actors and audiences that television or radio cannot provide. The chief guest, Dr Sonal Mansingh, also paid homage to Sinha’s influence, underscoring the depth and integrity with which he has pursued theatre. She recalled her long-standing acquaintance with him, describing him as a cultural ambassador who brings warmth and a genuine passion for art to his work. Her words painted a picture of Sinha as a man who has not only shaped theatre but also fostered a rich, inclusive cultural community.
A highlight of the event was the launch of the book Daya Prakash Sinha: Natyasrishti Evam Drishti, which chronicles his extensive contributions to Hindi theatre. Edited by Dr Shailesh Srivastava, the book features reflections from various scholars and artists on Sinha’s artistic legacy. Prof Bharat Gupt, chairing the inaugural session, noted the courage and creative freedom with which Sinha has written, positioning him as a distinctive voice in Hindi theatre. In Gupt’s view, Sinha’s plays do not conform to any ideology, but instead portray the truth with historical validation, an aspect that sets him apart. This independence has also allowed his works to be translated into languages such as Marathi and Malayalam, broadening their impact and inspiring other regional theatres. Throughout his career, Daya Prakash Sinha has consistently promoted the idea that theatre should be accessible and relevant to the people. His unique style has not only reinvigorated Hindi theatre but has also encouraged younger artists to pursue this art form with courage and authenticity. The closing session, chaired by IGNCA chairman Ram Bahadur Rai, further emphasized Sinha’s role as a cultural administrator, who, during his tenure at Bharat Bhavan in Bhopal, ignited local interest in Hindi theatre and cultivated an environment where the arts could thrive.
The tribute to Padma Shri Daya Prakash Sinha underscored his transformative contributions to Hindi theatre, inspiring countless artists and proving that theatre, with its live, impactful storytelling, will indeed remain a timeless art form.
