- Discovery of legendary modernist artist and redefining Bombay’s artistic landscape.
- After spending thirty years in India, Rudolf returned to Europe.
An Indian boy who had run away from home and was working as a car washer in Bombay encountered a German man with a similar story. The German, Rudolf, had fled Nazi and wanted to reinvent himself as a artist, cartoonist and art critic in Bombay. When the German asked the young car washer, “Is there anything you would like to do?”, he replied “Paint”. This is how the legendary modernist artist Krishnaji Howlaji Ara, was discovered by Rudolf reflecting how unexpected encounters can transform lives.
In 1933, Rudolf von Leyden, a German geologist whose father was a known Prussian official, arrived in Bombay. His brother, Albrecht, had already been living in the city for about five years. Although Rudolf planned to stay for only six months, he soon found his niche for himself by designing greeting cards, menus and visiting cards. His journey in the art world began when Simon Pereria, editor of The Evening News of India suggested that he must review an art show. This golden opportunity launched his career as an art critic who carried clear and perceptive reviews.
Rudolf’s influence on art grew significantly over the years in Bombay. He joined the Bombay Art Society’s committee where he supported avant-garde artists like Amrita Sher-Gil, F.N. Souza, and M.F. Husain. His dedicated efforts helped in establishing the Bombay Progressive Artists Group and played a pivotal role in founding the Jehangir Art Gallery in light of his persuasion of philanthropist Sir Cowasji Jehangir. Rudolf’s commitment to modern art was apparent when he defended Akbar Padamsee’s controversial painting in the court, highlighting the importance of artistic freedom.
Extending his legacy beyond art, he made admirable contributions to advertising and philanthropy. He actively participated in the Indian Society of Advertisers and achieved a gold medal for his skills in advertising. He also supported the young artists and participated in various charitable events. After spending thirty years in India, Rudolf returned to Europe and led a pharmaceutical firm’s branch in Vienna. His legacy in Bombay is remembered for shaping the city’s modern art scene and supporting the new artists.
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