Abhivyakti, a group painting exhibition was held in New Delhi.
The Lalit Kala Akademi in New Delhi hosted Abhivyakti, a group exhibition of paintings which began on January 4, 2026. The show brought together diverse artistic voices from across India. The exhibition offered the visitors a rich experience with contemporary creativity and cultural dialogue. The very title Abhivyakti—meaning “expression”— captured the spirit of the exhibition. Its objective was to celebrate artistic freedom and provide a platform for painters to articulate their individual experiences while participating in a collective narrative. By bridging traditional roots with contemporary concerns, the exhibition reaffirmed the role of art as a unifying force across regions, cultures, and ideas.
Content and organisation
The exhibition showcased a wide range of paintings exploring themes of identity, emotion, nature, culture, and inner reflection. Each artist-maintained a distinct visual vocabulary, yet together they created a meaningful dialogue. Works blended traditional motifs with modern sensibilities, offering viewers a layered visual narrative that was both rooted and experimental. The Akademi organised the event with characteristic precision. The gallery setting at Rabindra Bhavan provided an intimate yet professional space, allowing audiences to engage closely with the works. Extended viewing hours and open invitations ensured accessibility, reinforcing the Akademi’s mission to democratize art appreciation.
Participation and response
Artists from Assam, Manipur, and Delhi formed the core of the exhibition. The roster included Rajeev Semwal, Ratna Sharma from Delhi, Anup Kumar Sarmah, Dadul Chaliha, Minakshi Borgohain, and Paran Banti Devi from Assam; Sanajaoba Tensuba from Manipur; and Diksha Kain from Delhi. Their participation reflected a confluence of regional sensibilities, highlighting the diversity of India’s artistic landscape. The exhibition drew enthusiastic audiences, ranging from art students and critics to casual visitors.
Media coverage and word-of-mouth appreciation underscored its success, with many praising the balance between individuality and collective spirit. Visitors responded warmly to the thematic range and the opportunity to interact with artists directly. The event reaffirmed Lalit Kala Akademi’s role as a premier institution nurturing contemporary visual culture. Abhivyakti was more than a display of paintings—it was a celebration of dialogue, diversity, and creative freedom. By bringing together artists from different regions and presenting their works in a unified yet pluralistic framework, the exhibition succeeded in engaging audiences and strengthening the Akademi’s vision of art as a bridge across cultures.
