Category: Flash News

Six Artists Explore the Invisible Threads of Connection

New Delhi: Art is often understood through individual expression—the distinctive line, colour, material or visual language that separates one artist from another. Yet artistic practice is rarely a solitary phenomenon. Ideas travel across places, techniques pass from one generation to another, and institutions, teachers, cultures and encounters leave their imprint on the creative journey. It is this network of visible and invisible connections that forms the foundation of ‘Entanglements: The Imperative of Belonging’, a group exhibition bringing together six notable artists at the India International Centre Annexe Gallery, New Delhi.

Organised by Gallery Sree Arts, the exhibition features the works of Kanchan Chander, Kavita Nayar, Nanda Dulal Mukherjee, Sabia, Sukhvinder Singh and Siddhant Medhi. Curated by award-winning curator Jitendra Padam Jain and conceptualised by Annkush B. Sharma, the show examines the idea that artistic practices, however different they may appear, often exist in a larger conversation with one another.

The exhibition creates a meeting point between six individual artistic voices. Their approaches may differ in material, form and subject, but beneath these differences lies a shared engagement with process, meaning and the enduring human desire to create. Entanglements looks beyond obvious similarities and instead traces the subtle threads that connect artists across geographies, artistic disciplines and experiences of learning.

Some of the participating artists have explored both painting and printmaking, while others have remained closely committed to painting as their primary language. Their journeys of artistic education have also moved across different regions and countries—from India to international centres of learning, from Delhi and West Bengal to places such as London and Japan. These varied experiences bring together local traditions and global influences, creating what may be described as parallel languages of artistic expression.

The exhibition also reflects upon the continued relevance of the Santiniketan philosophy, where nature, craft and humanism remain central to the understanding of art. Across drawing, painting, murals and sculpture, the works engage with the handmade and the organic while remaining open to contemporary ideas and international perspectives. Training and exposure from institutions such as Jamia Millia Islamia, Delhi College of Art, Visva Bharati University, Santiniketan, and universities abroad further add to the diverse intellectual and visual backgrounds represented in the exhibition.

Kanchan Chander brings to the exhibition a layered visual vocabulary shaped by her experience in both painting and printmaking, as well as her artistic training in India and abroad. Her practice reflects the possibilities that emerge when different methods of image-making intersect and inform one another.

Kavita Nayar contributes a nuanced exploration of form and surface, creating a distinct visual presence within the larger dialogue of the exhibition. Her work adds another dimension to the idea that artistic language is shaped not only by subject matter but also by the physical and conceptual processes through which an artwork comes into being.

The practice of Nanda Dulal Mukherjee carries strong resonances of the Santiniketan ethos. Working across drawing, painting, murals and sculpture, his artistic journey reflects an engagement with multiple forms of expression while remaining connected to broader ideas of nature, craft and human experience.

Meanwhile, Sabia, Sukhvinder Singh and Siddhant Medhi bring their own distinct registers to the exhibition. Moving through intuitive abstraction and figurative narratives, their works create different points of entry into the larger theme of connection. Rather than attempting to establish a single aesthetic identity, the exhibition allows these diverse approaches to remain independent while placing them in dialogue with one another.

For curator Jitendra Padam Jain, art extends beyond the limits of a frame or a single discipline. As the Founder and Managing Director of Gallery Sree Arts, Jain has developed a wide-ranging curatorial practice and has been associated with exhibitions and art initiatives involving the Japan Biennale, Lalit Kala Akademi, IGNCA and international art fairs in Tokyo, Qatar and Nevada, USA. His own academic and artistic journey—from an MFA at Jamia Millia Islamia to further training in painting at S.E.C.C., Saint Petersburg—also reflects the movement of artistic knowledge across geographical and cultural boundaries.

The conceptual framework of the exhibition has been developed by Annkush B. Sharma, Co-Founder of Gallery Sree Arts, curator and author. With artistic training from Rabindra Bharati University, Kolkata, and S.E.C.C., Saint Petersburg, Sharma’s own journey across India and abroad informs the central idea of Entanglements. The exhibition proposes that art is a shared conversation—one in which techniques migrate, lineages intersect and artists continue to learn from worlds beyond their immediate surroundings.

As a platform for contemporary art, Gallery Sree Arts has consistently sought to encourage dialogue between artists, cultures and pedagogical traditions. Through Entanglements: The Imperative of Belonging, the gallery extends this commitment by presenting art as a bridge between regions, generations and different ways of seeing.

The exhibition was inaugurated with a vernissage on 18 August 2026 at 6:00 PM and will remain on view from 19 to 28 August 2026 at the India International Centre Annexe Gallery, New Delhi. Organised by Gallery Sree Arts, the presentation offers viewers an opportunity to encounter six distinct artistic practices brought together through a shared exploration of learning, migration, material and belonging.

Ultimately, Entanglements: The Imperative of Belonging is more than a presentation of six individual practices. It becomes a map of artistic journeys—of how learning moves from one place to another, how influences evolve, and how seemingly different creative paths can intersect. In this space of exchange, each artist retains a distinctive voice, yet together they reveal something larger: the possibility of belonging within difference.

25 Artists Turn Their Inner Worlds into Art at India Habitat Centre

New Delhi witnessed a vibrant celebration of artistic diversity with INNER VISION, a group art exhibition that brought together the creative voices of 25 artists at the Open Palm Court, India Habitat Centre, Lodhi Road. Organised and curated by Kishore Labar, the exhibition was inaugurated on 17 August 2026 in the presence of eminent sculptor and painter Prof. Biman Bihari Das, Padma Shri awardee and President of AIFACS, along with Dr. Rashmi Singh, IAS, Secretary, Women & Child Development and Art, Culture & Languages, Government of NCT of Delhi.

The inaugural evening brought together senior artists, cultural personalities, art enthusiasts and distinguished guests, setting the tone for an exhibition that seeks to look beyond conventional ideas of visual representation. Rather than simply presenting what the eye sees, INNER VISION examines what happens when an artist observes, feels, remembers and imagines—and then translates those internal experiences into art.

At the heart of the exhibition is the idea that art often begins with something intangible. A landscape may evoke a memory, a person may trigger an emotion, an everyday experience may inspire reflection, or an empty canvas may become a space for imagination. Through colour, line, texture, form and composition, these impressions acquire a visible identity.

Curator Kishore Labar describes INNER VISION as an exploration of the world that exists within an artist. According to him, artists do not merely reproduce what they see; they interpret the world through their own experiences, emotions, memories and imagination. By bringing artists belonging to different generations and using different artistic languages together, the exhibition creates an opportunity for audiences to encounter a wide range of personal visual worlds.

The diversity of practices on display is one of the exhibition’s strongest features. Visitors encounter contemporary and modern paintings, abstraction, landscapes, figurative works, traditional and miniature art, Madhubani painting and sculpture. Despite their differences in technique and subject matter, the participating artists are connected by a common impulse—to transform an internal response to the world into a creative statement.

The exhibition also places particular emphasis on dialogue between generations. The participation of young artist Anmol Labar alongside established and senior practitioners demonstrates the organisers’ commitment to creating opportunities for emerging talent. A student of Ahlcon International School, Anmol began creating art at the age of five and has already produced more than 400 artworks. His participation reflects the belief that young artists can meaningfully contribute to the contemporary art conversation when provided with professional platforms.

Among the senior voices is Amita Singhal, a BFA and MFA Gold Medalist from M.D. University, whose practice explores culture, nature and feminine emotions. Her exhibition history includes prominent platforms such as India Habitat Centre, Lalit Kala Akademi and AIFACS. Another notable participant is Kiran Soni Gupta, senior artist and former IAS officer, whose artistic journey has taken her work to exhibitions in India and abroad. Her academic and cultural leadership experience adds another dimension to the exhibition’s multidisciplinary character.

The show also features the work of veteran miniature painter Mange Ram Sharma, who has around 45 years of artistic practice and has participated in more than 200 national and international exhibitions. His numerous honours, including recognition from AIFACS and a Senior Fellowship from the Ministry of Culture, underline the depth of experience represented at INNER VISION.

Traditional and contemporary practices intersect through artists such as Nisha Kumari, an MFA-qualified artist and Fine Art Instructor at Manav Rachna University. With around 18 years of experience, she is particularly known for Madhubani and modern art and has been an 11-time State Gold Medalist in Madhubani Painting in Bihar. Her participation strengthens the exhibition’s engagement with India’s rich traditional artistic vocabulary.

Nature, landscape and abstraction find varied interpretations through artists including Navita Kaushik, whose subjects range from horses and nature to abstract compositions, and Riena A. Jain, whose acrylic landscapes employ textures, impasto and palette-knife techniques. Ranjan Kumar Choudhury approaches landscape through memory, atmosphere and personal experience, rather than treating it merely as documentation.

Other participating artists bring equally distinctive perspectives. Shalini Agrawal draws inspiration from mythology, spirituality and nature, while Shashi Lata is recognised for her sensitive watercolour landscapes. Vidushi explores birds, freedom and movement through bold geometric and expressive forms. Vinod Kanwar, with more than 27 years of experience across oil, acrylic and watercolour, explores spirituality, symbolism and inner consciousness.

The sculptural dimension of the exhibition is represented by artists including Bishwaranjan Bhunia, who works across stone, glass, clay, metal and canvas; Dr. Prince Raj, an accomplished sculptor and painter, CCRT Senior Fellow and National Award recipient from AIFACS; and Shiv Raj Singh, a BFA and MFA graduate of the College of Art, Delhi, with more than two decades of teaching experience.

The remaining participants—Anjali Mittal, Dinesh Kumar, Jatin Chaudhary, Kumud Grover, Madhulika Jha, Manju Narain, Dr. Mohini Narain, Praveen Kumar Saini, Ranvir Singh Thakur and Seema Kholi—further expand the exhibition’s visual vocabulary with their individual approaches to imagination, observation, experience and expression.

Together, the 25 artists demonstrate that there is no single definition of an ‘inner vision’. For one artist, it may emerge through a remembered landscape; for another, through mythology, nature, spirituality or abstraction. It can appear in the movement of a horse, the flight of a bird, the textures of a landscape or the symbolic language of a sculpture.

By placing emerging, mid-career and senior artists on the same platform, INNER VISION moves beyond age and artistic categorisation. It creates a space where different experiences and visual languages can coexist and encourage dialogue. The exhibition also reflects Kishore Labar’s continuing effort to bring artists from diverse backgrounds together and strengthen interaction between artists, audiences and the wider cultural community.

INNER VISION is on view from 17 to 21 August 2026, from 11:00 AM to 8:00 PM, at the Open Palm Court, India Habitat Centre, Lodhi Road, New Delhi. The exhibition offers visitors an opportunity not only to view works of art, but also to consider the invisible journeys of thought, emotion, memory and imagination that often lie behind them.

Where Science Meets Art, Imagination and Possibility

From the mysterious behaviour of subatomic particles to technologies that are transforming everyday life, QUANTUM, the latest interdisciplinary exhibition at Science Gallery Bengaluru, invites visitors to explore a world where the unexpected becomes possible.

Opening from 8 August 2026, QUANTUM is a year-long exhibition that explores the fascinating and often counterintuitive principles of quantum physics through art, science and design. Featuring 34 exhibits by more than 14 interdisciplinary artists from six countries, the exhibition transforms complex scientific ideas into engaging and immersive experiences through interactive installations, speculative artworks and historical archives.

At the heart of QUANTUM are some of quantum physics’ most intriguing concepts, including superposition, entanglement, tunnelling and the observer effect. These ideas, which can often seem abstract and difficult to understand, are presented through creative experiences that encourage visitors to question their understanding of reality, observation and possibility.

The exhibition also explores how quantum science extends beyond the microscopic world to influence everyday life. Although quantum phenomena occur at incredibly small scales, their principles have contributed to technologies that have become an important part of modern society. By bringing together scientific discoveries and artistic interpretations, QUANTUM demonstrates how ideas from the world of particles can have far-reaching implications.

Designed to be accessible to a diverse audience, all exhibits and walkthroughs are available in Kannada and English. Visitors do not need a background in physics to enjoy the exhibition; instead, they are encouraged to discover, experiment and ask questions. The experience is equally suited to students, families, art enthusiasts and anyone curious about the mysteries of the universe.

The exhibition programme will expand from September 2026 with Student Learning Modules, weekend workshops and public lectures. The calendar will also feature annual celebrations, food festivals and film screenings, along with themed walkthroughs and interactive sessions led by Science Gallery Bengaluru’s Experimentors and Mediators.

QUANTUM is open from Wednesday to Sunday at Science Gallery Bengaluru on Bellary Road. Visitors can explore the exhibition from 10 AM to 6 PM on Wednesdays and Thursdays, and from 10 AM to 8 PM on Fridays, Saturdays and Sundays. The exhibition is free and open to all, making it an accessible opportunity for Bengaluru’s residents and visitors to experience the fascinating intersection of science, art and design.

More than an exhibition about physics, QUANTUM is an invitation to rethink what we believe we know about reality. It brings scientific inquiry and creative imagination together to explore uncertainty, interconnectedness and the endless possibilities that emerge when we look at the universe from a quantum perspective.

Gurugram, Haryana | July 2026: A new interdisciplinary social impact platform, ARABESQUE ALLIANCE, has been launched by Dr. Aarchika with the vision of connecting health, education, diplomacy, culture, and sustainability under the inspiring motto, “Soul in Motion, Society in Dialogue.” The initiative aims to foster meaningful global partnerships while supporting the United Nations Sustainable Development Goals (SDGs).

Founded on the belief that lasting societal transformation is driven by collective responsibility and conscious action, ARABESQUE ALLIANCE seeks to bring together communities, governments, educational institutions, policymakers, artists, environmental advocates, and businesses. Through collaboration and innovation, the platform aspires to create measurable social and environmental impact.

The Alliance will focus on five key pillars: societal wellbeing, climate action and environmental conservation, art and culture, education and leadership, and the UN Sustainable Development Goals. These focus areas are designed to encourage community engagement, strengthen partnerships across sectors, and develop long-term solutions for sustainable development.

Speaking about the initiative, Dr. Aarchika, Founding Director and President of ARABESQUE ALLIANCE, said that the platform was established with the belief that meaningful change begins when humanity reconnects with shared values and a collective commitment to the planet. She emphasized the importance of collaboration across disciplines to inspire education, empower communities through arts and culture, and promote environmental responsibility for a more inclusive and sustainable future.

ARABESQUE ALLIANCE also aims to build a global network of changemakers by encouraging governments, NGOs, academic institutions, businesses, artists, and environmental organizations to work together. By promoting dialogue, knowledge exchange, and innovative solutions, the Alliance seeks to strengthen global wellbeing, social development, cultural cooperation, and economic growth while contributing to a more resilient and sustainable world.